The painting process could be described as thinking and sensing through the handling of materials in contexts. The painting process, the materials used, the compositions that form, and the combinations of paintings I make, offer chances to think about and sense aspects…
Movement and its limitation within an environment is a visual-spatial presentation which responds to the vibrancy of partaking in an assemblage, and to the ambivalence of living in a borderland. The movement of the city, and broader urban-rural relationships, viewed as an assemblage,…
An important undercurrent in the arts-based research projects that I have been involved in has been the relationships that form within a workshop space, and the project’s relationship with other assemblages. In this blog post I will look at ideas…
As I am writing this entry, I have noticed that there are some daytime sounds I hear quite often: the rumbling of the diesel engine of a construction vehicle and the operator’s demolition of a structure; the acceleration of cars…
People's anecdotes, greetings, excuses, lies, jokes, invitations and questions certainly did captivate much of my attention, but so did the stories and narratives visible in gestures, clothing, jewellery and cars, and also buildings, shops, stalls, restaurants and streets. Together, these…
Jeppe Street may be approached as multiple layers of stories that intersect or remain imperceptible: they are told to people in confidence and kept from others. People create groups, create successes or betray each other. People look out for each…