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A note about painting

The painting process could be described as thinking and sensing through the handling of materials in contexts. The painting process, the materials used, the compositions that form, and the combinations of paintings I make, offer chances to think about and sense aspects…

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Interruption and invention

We have a limited ability to sense or know the total variation of the complex processes between the bodies and forces that comprise the world. There is a certain opaqueness in the way we sense the variation which occurs in…

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Sketching an experience of place

Movement and its limitation within an environment is a visual-spatial presentation which responds to the vibrancy of partaking in an assemblage, and to the ambivalence of living in a borderland. The sketching process employed in the making of the artworks occurs…

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Artistic production and place making

Aspects of my methodological position are informed by ideas within the discourse which arises in the conjunction of art and research. There is currently much theorisation relating to art making, thinking processes, affect, and how artists work with concepts and…

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Reading the Zine Image

The zines from the Sex Worker Zine Project are powerful visual and narrative accounts of personal struggles and successes, everyday realities, beliefs, hopes and dreams. These visual stories are crafted around aspects of participants’ lives that they wanted a public…

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The workshop as an ephemeral assemblage

An important undercurrent in the arts-based research projects that I have been involved in has been the relationships that form within a workshop space, and the project’s relationship with other assemblages. In this blog post I will look at ideas…

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Writing a position

As I am writing this entry, I have noticed that there are some daytime sounds I hear quite often: the rumbling of the diesel engine of a construction vehicle and the operator’s demolition of a structure; the acceleration of cars…

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